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In the aural kaleidoscope that is American music, one genre owns the title of “American Standards” and has been compiled into the “Great American Songbook.” These songs–“Stardust,” “One for My Baby,” “Manhattan,” “A Fine Romance,” “Someone to Watch Over Me,” “Just One of Those Things,”and on and on–propelled by immortal performers like Ella Fitzgerald and Frank Sinatra, were heard around the globe to the glory of American music in the mid-twentieth century–and they still are. But should they own the title of “American?” How much do they actually represent America and its distinctiveness?

Kern-Gershwin

Jerome Kern & Ira Gershwin (source)

Instead, as many commentators have noted, the Great American Songbook is full of musical compositions that seem closer to the Old World than the New and of lyrics that more often call to mind airish literary soirees than earnest church suppers or neighborhood bars. I listen incessantly to the Great American Songbook, but still wonder about the deservingness of the title. (more…)

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